Eel River Music Camp
“Ed Sweeney has a remarkable gift of gab, and the ability to pick gems from the songpile. When he appeared here he was an instant success.”
Rhode Island College
“Sweeney is obviously an old hand at making an audience feel good inside. Midway through the performance, it began to appear that in these "obscure songs" Sweeney had found a counter balance to the insidious effects of monoculture and computerization”
Ed Sweeney honors people and their history by presenting music that entertains as well as educates. Through his musical expertise, breadth of knowledge, and wonderful sense of humor, Ed helps listeners come to understand the motivations, stories, and culture that have made us who and what we are today.
For almost 40 years, Ed has performed nationally and internationally in schools, clubs, tea houses, at festivals, house concerts, theatres — almost any venue imaginable. Ed’s concerts and recordings have earned accolades throughout the United States, Canada, parts of Europe and parts of Asia. Reviewers call him “a master of unpretentiousness” and “delightfully fresh.”
Ed performs a wide-ranging repertoire (traditional, blues, old-timey, ragtime, Christmas, Beatles, Bach, O’Carolan…) on 6- and 12-string guitar, 5-string banjo, and fretless banjo. He primarily plays finger-style guitar; his style of banjo playing is known as clawhammer, frailing, or old-timey.
Ed started learning rock guitar from blind blues guitarist Paul Pena after hearing him play at his high school’s coffee house. A few months later Ed, playing pop hits (Neil Young, CS&N), opened for Andy Cohen who, after the show, took Ed aside and introduced him to a whole new genre of music – country blues and traditional songs.
That meeting ignited a curiosity and passion that continues to this day. Ed became Providence College’s first music major by creating a curriculum, then finding instructors who not only taught him how to play traditional music but also where to find it.
Four decades later, Ed is still exploring and building new avenues and partnerships for sharing the music of many peoples.
His latest CD, Commonplaces, is with Mary Lee Partington as Partington & Sweeney. Commonplaces tells stories of immigrants, farmers and factory workers during 19th and 20th century America.
What Lies Ahead, his previous recording with Pipa master Yang Wei and other members of Yo-Yo Ma’s Silk Road Ensemble, represents a musical collaboration where Eastern and Western traditions meet.
Other recordings are instrumental Americana and instrumental Christmas, including Inside Fezziwig’s, which USA Today called “the best folk Christmas release of the year.”
Ed’s music also can be heard on television soundtracks, as background music in Disneyland Paris, and in the Ken Burns documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton & Susan B. Anthony. Ed has been featured on NPR and other radio networks.
Today you might watch Ed in a solo concert of eclectic songs and styles. Or you might watch him perform with Yang Wei as they mix Eastern and Western Traditional music. Perhaps you’ll watch him and Mary King combine the songs of Stephen Foster with the wit of Mark Twain. Or maybe you’ll listen as Mary Lee Partington and Ed, as Partington & Sweeney, weave a musical story of immigrants and their traditions as they moved west.